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By Nick O'Malley | email@example.com
If fluffernutters, coffee milk and American chop suey are weird, what's the point of being right?
As a follow up to our opening salvo in the cross country food fight vs. our friends down at AL.com, we've rounded up a list of 15 food special to New England that are unknown or a little weird to the rest of the country.
Last week, we picked a fight with our Advance Digital affiliate in Alabama by poking some fun at their weird food combinations (with banana-mayo sandwich and Kool-Aid pickles as the clear head-scratchers). Now, we're offering our list of feeds near and dear to our hearts and nowhere else.
Some of these are traditional recipes that families have been cooking up for years. Others have emerged thanks to some local brands that have taken root in the region. The one stipulation is that we are not including local food products by themselves. That means no Necco wafers or Polar seltzer. However, Moxie did make the list thanks to a certain concoction with the drink.
Here's the final list of 15 foods only New Englanders eat, as compiled by the MassLive fooditorial staff from our favorites and reader submissions:
1. American Chop Suey
Chop suey is designed to be easy to make in big batches. Cook up some peppers and onions, some meat, some tomato sauce and then mix with enough pasta to feed a small army. Boom, you've got dinner for tonight and probably tomorrow.
While there's seemingly no limit to the variety of pasta dishes, American chop suey is a New England specialty.
2. B&M Baked Beans with hot dogs or on toast
While Beantown remains a nickname for Boston that continued to go away, baked beans are still largely allocated to a side dish around these parts when served by themselves. If you want to cook them up for a cheap main course, you can either throw in some hot dogs (for a quick lunch that kids like), spread it out on toast or eat them in a split-top New England style hot dog bun.
3. Boston Cream Pie
Before most kids in these parts have even heard of custard, they've likely had their fair share of this cake, or in its alternate form -- the Boston cream pie doughnut.
4. Coffee Milk
When I was growing up, there were three flavors of milk to choose from for elementary school lunch: plain, chocolate and coffee. Chocolate was the clear favorite among the populace. However, coffee milk did have its fans, hooking the next generations in the region while they were young.
What's the difference between a frappe and a milkshake? A frappe is made with milk and ice cream. Just shut up and drink it.
Technically a fern, New Englanders consume these curly greens either steamed or sauteed.
While efforts to make the Fluffernutter the official sandwich of Massachusetts have stalled in the state legislature, it remains a valiant contender against jelly as the preferred companion to peanut butter on sandwiches in these parts.
8. New England Steamers (These can also be breaded and fried)
Sure, you can get clams almost anywhere. But when summer comes around -- especially on the Cape -- there's nothing like tearing through a pile of these bad boys while they're still in their shells.
9. Indian pudding
One of the oldest traditional dessert recipes to stem from the area, Indian pudding, a spin on English "hasty pudding," uses corn instead of wheat to form a dense pudding that's sweetened with molasses or maple syrup and sometimes features cinnamon and other spices.
Another early dessert that took form thanks to the omnipresence of corn in the region. Johnnycakes are essentially cornmeal pancakes and there's plenty of room for personalization in the recipe.
11. Moxie and milk
Moxie -- the vintage New England soft drink whose flavor has been compared to "burnt root beer and rust" -- doesn't seem like it would mix well with dairy. In fact, instead of curdling like you'd expect, a Moxie and milk has a lovely creamy taste reminiscent of a root beer float.
12. Apple pie with cheddar cheese
A nice warm apple pie is a common sight across America but pairing it with some sharp cheddar cheese? Not so much. It's very popular at The Big E, New England's Great State Fair.
13. Chow Mein sandwich
The Fall River-based creation isn't common knowledge throughout the state, but those who grew up with it swear by it. The sandwich is traditionally prepared with fried noodles, vegetables and gravy served sloppily on a hamburger bun. It can also come drenched in gravy, similar to a hot turkey sandwich.
14. Maple sugar candy
While Vermont is the name brand in maple syrup, Massachusetts and New Hampshire have their own syrup markets that are nothing to sneeze at. With the wave of syrup each year comes a creative batch of candies that can be hard or chewy.
15. Clam chowder
Sometimes, stereotypes are true. While the city of Boston isn't full of people in Red Sox hats yelling "Chowdah" at each other, it's impossible to ignore the popularity of the soup in the region. You also can't mess with it. Seriously, it's illegal. There's a law in Massachusetts banning the addition of tomato sauce to clam chowder.
Bonus: Breakdown a live lobster after boiling it
Do you have what it takes to break it down yourself? The tail is easy. The claws can take some work for the uninitiated. But can you get the meat out of the legs? And can you stomach the green tomalley from the middle of the creature? (Considering eating it is a whole other debate entirely.)
Meet the author of a new book that serves up a slice of Connecticut history, for every day of the year
By Linda Tuccio-Koonz
For a small state, Connecticut’s history is robust and complex, and its character runs much deeper than quaint coastal towns and breathtaking fall foliage. Its history is steeped in dichotomy. Connecticut is home to many recognizable heroes of the Revolutionary War such as Johnathon Trumbull and Roger Sherman, yet was also the home to Benedict Arnold, whose name today is synonymous with the word traitor.
While going to great lengths to promote its agricultural side, Connecticut has actually made greater contributions as a leader in industry through its production of firearms, helicopters, brass items and submarines. Complicating the state’s search for its identity is its location. Situated between Boston and New York, Connecticut has a strong New York style identity in its western counties, and a distinctively Bostonian flavor to the east.
Ever wonder how PEZ candies got their name? Are you aware that Mark Twain entertained many famous people at his home in Redding, charging the male visitors $1 per visit as a donation toward the construction of a town library? Did you know that Rentschler Field was an airstrip where Pratt & Whitney tested their engines, which were originally developed by Frederick Rentschler.
Through short, concise essays which range from celebratory to critical, Gregg Mangan chronicles some of the most fascinating as well as some lesser known episodes in Connecticut history. His new book, “On This Day in Connecticut History,” follows the form of a daily calendar with each day containing a nugget of knowledge. These events provide a greater understanding and appreciation of Connecticut’s diverse identity and what it means to be a “Connecticuter.”
You can meet Mangan on Saturday, April 11, when he will discuss and sign copies of his new book ($19.99, History Press) at the Hickory Stick Bookstore in Washington Depot. The event is at 2 p.m. and admission is free.
Mangan holds a bachelor’s degree from the University of Massachusetts, Amherst, a master’s in public history from Central Connecticut State University and a doctorate in public history from Arizona State University. While at ASU he also completed a graduate program in scholarly publishing. Prior to working with the Connecticut Humanities Council, he spent seven years as a freelance historian, writer, and editor and twelve years as a manager in the health insurance industry. Mangan also served as an intern at the Connecticut Department of Culture & Tourism. Currently he works for the Connecticut Humanities Council at Wesleyan University as the manager of the ConnecticutHistory.org digital history project.
If you are unable to attend Saturday’s event, you may still reserve a signed copy of the book by calling the store at 860-868-0525.
For further information, visit www.hickorystickbookshop.com. or email us at firstname.lastname@example.org
Written by Sally Allen
On this day in 1933, the Cullen-Harrison Act went into effect. The act made it legal to brew and sell beer (and wine) whose alcohol content was 3.2% ABV and was the first step in bringing 13 years of Prohibition to an end. The photo gives you an idea of how people felt about this development in our nation’s history.
For this reason, National Beer Day is celebrated annually on April 7.
The holiday made me think of Cyril, one of literature’s great canine characters. Cyril is the dog who lives with Angus Lordie in Alexander McCall Smith’s delicious “44 Scotland Street” series, which I am currently in the process of inhaling. The books feature many scenes of Angus and Cyril at their local pub, Cumberland Arms, where Cyril gets his own bowl of beer.
For books specifically about beer, I turned to local expert James Gribbon, who pens a beer column for CTBites. James suggested checking out the soon-to-be released “Connecticut Beer: A History of Nutmeg State Brewing” by William Siss. Siss writes the "Beer Snob" column for the Waterbury Republican-American and the blog beersnobwrites.com. “Connecticut Beer” will be released on April 27.
About the book: The history of the frothy beverage in Connecticut dates back to early colonists, who used it to quench their thirst in the absence of clean drinking water. So integral was beer to daily life in the colony that government officials and militiamen congregated in taverns like the General Wolfe to talk laws and business over pints of ale. Over the next two centuries, the number of breweries rose and then declined, especially after Prohibition. It was not until the 1980s that homebrewers brought this vital Nutmeg State tradition back to life, hatching the likes of New England and Cottrell Brewing Companies, as well as brewpubs including City Steam and Southport Brewing. More recently, small operations with one or two people, such as Relic and Beer'd, are changing the landscape again. Connecticut beer writer Will Siss introduces readers to the hardworking people who keep the breweries and beer bars inviting and the hoppy history alive.
Wicked Cool New England Recipes: New England Blueberry Coffeecake: Ingredients: Batter: 3 cups flour 1 cup sugar 2 tablespoons baking powder 2 teaspoons ground cinnamon 1 teaspoon salt 3 ...
General Tom Thumb was the stage name of Charles Sherwood Stratton (January 4, 1838 – July 15, 1883), a dwarf who achieved great fame as a midget performer under circus pioneer P.T. Barnum.
Stratton was a son of a Bridgeport, Connecticut, carpenter named Sherwood Edward Stratton. Born in Bridgeport to parents who were of medium height, Charles was a relatively large baby, weighing 9 pounds 8 ounces at birth.
He developed and grew normally for the first six months of his life, at which point he was 25 inches tall and weighed 15 pounds. Then he stopped growing. His parents became concerned when, after his first birthday, they noticed he had not grown at all in the previous six months. They showed him to their doctor, who said there was little chance Charles would ever reach normal height.
By late 1842, Stratton had not grown an inch in height or put on a pound in weight from when he was six months old. Apart from this, he was a totally normal, healthy child, with several siblings who were of average size.
P.T. Barnum, a distant relative (half fifth cousin, twice removed), heard about Stratton and after contacting his parents, taught the boy how to sing, dance, mime, and impersonate famous people.
Barnum also went into business with Stratton's father, who died in 1855.
Stratton made his first tour of America at the age of five, with routines that included impersonating characters such as Cupid and Napoleon Bonaparte as well as singing, dancing and comical banter with another performer who acted as a straight man. It was a huge success and the tour expanded.
A year later, Barnum took young Stratton on a tour of Europe making him an international celebrity. Stratton appeared twice before Queen Victoria. He also met the three-year-old Prince of Wales, who would become King Edward VII. In 1845, he triumphed at the Théâtre du Vaudeville (France) in the play Le petit Poucet of Dumanoir and Clairville (OCLC 691400304). The tour was a huge success, with crowds mobbing him wherever he went.
In 1847 he started to grow for the first time since the first few months of his life, but with extreme slowness. In January 1851 Stratton stood exactly 2 feet 5 inches tall. On his 18th birthday, he was measured at 2 feet 8.5 inches tall. Stratton became a Freemason on October 3, 1862. Stratton, by now 2 feet 11 inches tall, was initiated with a man 6 feet 3 inches.
Stratton's marriage on February 10, 1863, to another dwarf, Lavinia Warren, became front-page news. The wedding took place at Grace Episcopal Church and the wedding reception was held at the Metropolitan Hotel. The couple stood atop a grand piano in New York City's Metropolitan Hotel to greet some 10,000 guests.
The best man at the wedding was George Washington Morrison ("Commodore") Nutt, another dwarf performer in Barnum's employ. The maid of honor was Minnie Warren, Lavinia's even smaller sister. Following the wedding, the couple was received by President Lincoln at the White House. Stratton and his wife toured together in Europe as well as Bangladesh.
Nutt (right) with Barnum
Under Barnum's management, Stratton became a wealthy man. He also owned a specially adapted home on one of Connecticut's Thimble Islands. When Barnum got into financial difficulty, Stratton bailed him out. Later, they became business partners. Stratton made his final appearance in England in 1878.
Stratton died suddenly of a stroke in 1883. He was 45 years old, 3.35 ft tall and weighed 71 lb. Over 20,000 people attended the funeral.
P. T. Barnum purchased a life-sized statue of Tom Thumb and placed it as a grave stone at Mountain Grove Cemetery in Bridgeport, Connecticut. When she died more than 35 years later, Lavinia Warren was interred next to him with a simple grave stone that read: "His Wife".
July 6, 1944
The Hartford circus fire, which occurred on July 6, 1944, in Hartford, Connecticut, was one of the worst fire disasters in the history of the United States. The fire occurred during an afternoon performance of the Ringling Brothers and Barnum & Bailey Circus that was attended by 6,000 to 8,000 people. More than 165 people died and more than 700 were injured.
The circus had been experiencing shortages of personnel and equipment as a result of the United States' involvement in World War II. Delays and malfunctions in the ordinarily smooth order of the circus had become commonplace; on August 4, 1942, a fire had broken out in the menagerie, killing a number of animals. When the circus arrived in Hartford, Connecticut, on July 5, 1944, the trains were so late that one of the two shows scheduled for that day had been canceled.
The next day was a Thursday; the crowd at the afternoon performance was dominated by women and children. The size of the audience that day has never been established with certainty, but the best estimate is about 7,000.
The fire began as a small flame after the lions performed, on the southwest sidewall of the tent, while the Great Wallendas were performing. Circus bandleader Merle Evans was said to have been the first to spot the flames, and immediately directed the band to play "The Stars and Stripes Forever", the tune that traditionally signaled distress to all circus personnel.
Ringmaster Fred Bradna urged the audience not to panic and to leave in an orderly fashion, but the power failed and he could not be heard. Bradna and the ushers unsuccessfully tried to maintain some order as the panicked crowd tried to flee the big top.
Sources and investigators differ on how many people were killed and injured. Various people and organizations say it was 167, 168, or 169 persons (the 168 figure is usually based on official tallies that included a collection of body parts that were listed as a "victim") with official treated injury estimates running over 700 people.
The number of actual injuries is believed to be higher than those figures, since many people were seen that day heading home in shock without seeking treatment in the city. The only animals in the big top at the time were the big cats trained by May Kovar and Joseph Walsh that had just finished performing when the fire started. The big cats were herded through the chutes leading from the performing cages to several cage wagons, and were unharmed except for a few minor burns.
The cause of the fire remains unproven. Investigators at the time believed it was caused by a carelessly flicked cigarette but others suspected an arsonist. Several years later, while being investigated on other arson charges, Robert Dale Segee (1929–1997), who was an adolescent roustabout at the time, confessed to starting the blaze. He was never tried for the crime and later recanted his confession.
Because of the paraffin wax waterproofing of the tent, the flames spread rapidly. Many people were badly burned by the melting paraffin, which rained down from the roof. The fiery tent collapsed in about eight minutes according to eyewitness survivors, trapping hundreds of spectators beneath it.
It is commonly believed that the number of fatalities is higher than the estimates given, due to poorly kept residency records in rural towns, and the fact that some smaller remains were never identified or claimed. It is also believed that the intense heat from the fire combined with the accelerants, the paraffin and gasoline, could have incinerated people completely, as in cremation, leaving no substantial physical evidence behind. Additionally, free tickets had been handed out that day to many people in and around the city, some of whom appeared to eyewitnesses and circus employees to be drifters who would never have been reported missing.
While many people burned to death, many others died as a result of the ensuing chaos. Though most spectators were able to escape the fire, many people were caught up in the hysteria. Witnesses said some simply ran around in circles trying to find their loved ones, rather than trying to escape from the burning tent. Some escaped but ran back inside to look for family members. Others stayed in their seats until it was too late, assuming that the fire would be put out promptly.
Because at least two of the exits were blocked by the chutes used to bring the show's big cats in and out of the tent, people trying to escape could not bypass them. Some died from injuries sustained after leaping from the tops of the bleachers in hopes they could escape under the sides of the tent, though that method of escape ended up killing more than it saved. Others died after being trampled by other spectators, with some asphyxiating underneath the piles of people who fell over each other.
Most of the dead were found in piles, some three bodies deep, at the most congested exits. A small number of people were found alive at the bottoms of these piles, protected by the bodies on top of them when the burning big top ultimately fell down. Because of a picture that appeared in several newspapers of sad tramp clown Emmett Kelly holding a water bucket, the event became known as "the day the clowns cried."
On July 7, charges of involuntary manslaughter were filed against five officials and employees of Ringling Bros. Within days of these charges being filed, the circus reached an agreement with Hartford officials to accept full financial responsibility and pay whatever amount the city requested in damages. This resulted in the circus paying out almost US$5,000,000 to the 600 victims and families who had filed claims against them by 1954. All circus profits from the time of the fire until then had been set aside to pay off these claims.
Although the circus accepted full responsibility for the financial damages, they did not accept responsibility for the disaster itself. The five men charged were brought to trial in late 1944; four were convicted.
Although they were given prison terms, the four men found guilty were allowed to continue with the circus to their next stop, in Sarasota, Florida, to help the company set itself up again after the disaster. Shortly after their convictions, they were pardoned entirely. One of the men, James A. Haley, went on to serve in the U.S. House of Representatives for twenty-four years.
In 1950, Robert Dale Segee of Circleville, Ohio claimed he was responsible for setting the circus fire. Segee, a roustabout for the show from June 30 to July 14, 1944, when he was about 14 years old, said he had a nightmare in which an Indian riding on a "flaming horse" told him to set fires. He further claimed that after this nightmare his mind went blank, and that he did not come out of this state until the circus fire had already been set. It was said Segee fit the description of a serial arsonist right out of a psychiatrist's textbook. Segee also knew intimate details of the incident, which some believed only the real arsonist could have known. For instance, it was never made public that the circus had two smaller fires of undetermined origin prior to the tragedy. Segee admitted setting both of them as well. These statements, Segee added, were in response to a later dream he'd had of a woman standing in flames urging him to confess.
In November 1950, Segee was convicted in Ohio of unrelated arson charges and sentenced to more than 40 years of prison time. However, Hartford investigators raised doubts over his confession, as he had a history of mental illness, and it could not be proven he was anywhere within the state of Connecticut when the fire occurred. Connecticut officials were also not allowed to question Segee, even though his alleged crime had occurred in their state. Additionally, Segee, who died in 1997, denied setting the fire as late as 1994 during an interview. Because of this, many investigators, historians and victims believe the true arsonist—if it had indeed been arson—was never found.
One of the survivors of the fire, Maureen Krekian, discussed her ordeal in 2007. She was 11 at the time, and lived on the same road where the circus was held. On the day of the event, she was supposed to go to the circus with a woman next door and her daughter. When she went to their house, she found that they had already left without her. She decided to go to the circus on her own, where she seated herself in the bleachers.
I remember somebody yelling and seeing a big ball of fire near the top of the tent. And this ball of fire just got bigger and bigger and bigger. By that time, everybody was panicking. The exit was blocked with the cages that the animals were brought in and out with. And there was a man taking kids and flinging them up and over that cage to get them out. I was sitting up in the bleachers and jumped down — I was three-quarters of the way up. You jump down and it was all straw underneath. There was a young man, a kid, and he had a pocketknife. And he slit the tent, took my arm and pulled me out.
As she was being pulled out, Krekian grabbed another little girl's arm and pulled her out as well.
Actor and theater director Charles Nelson Reilly, (below) who was thirteen years old at the time, survived the fire and dramatized it in the film of his stage show, The Life of Reilly. In a 1997 interview, Reilly said that he rarely attended the theater, despite being a director, since the sound of a large audience in a theater reminded him of the large crowd at the circus before the disaster. He also said during his latter show that his mother, who told him not to go the circus on that day with his friend and disobeyed her, caught them sneaking out of her sight and scolded at them, "I hope it burns to the ground!"
Frieda Pushnik, who performed with the circus as the "Armless and Legless Wonder", was rescued by a minstrel show performer. She could not have got away on her own, but the minstrel performer rushed on stage, picked up her chair, and carried her to safety. Pushnik continued to perform with the circus until 1955.
Those who survived carried the trauma for decades. Seventy years after the fire, Carol Tillman Parrish, who was six at the time, said that "until this day, I can smell the stench of human flesh" as the blaze consumed its victims.
The best-known victim of the circus fire was a young blonde girl wearing a white dress. She is known only as "Little Miss 1565", named after the number assigned to her body at the city's makeshift morgue. Oddly well preserved even after her death, her face has become arguably the most familiar image of the fire.
Her true identity has been a topic of debate and frustration in the Hartford area since the fire occurred. She was buried without a name in Hartford's Northwood cemetery, where a victims' memorial also stands. Two police investigators, Sgts. Thomas Barber and Edward Lowe, photographed her and took fingerprints, footprints, and dental charts. Despite massive publicity and repeated displays of the famous photograph in nationwide magazines, she was never claimed. Barber and Lowe spent the rest of their lives trying to identify her. They decorated her grave with flowers each Christmas, Memorial Day, and July 6. After their deaths, a local flower company continued to decorate the grave.
In 1991, the body was declared to be that of Eleanor Emily Cook, despite the fact that her aunt and uncle had examined the body and it did not fit the description they provided. The Connecticut State Police forensics unit compared hair samples and determined they were probably from the same person. The body was exhumed in 1991 and buried next to her brother, Edward, who had also died in the fire
In 1981, Lowe's widow announced that Lowe had identified the child and contacted her family, but they had requested no publicity.
In 1987, someone left a note on 1565's gravestone reading “Sarah Graham is her Name! 7-6-38 DOB, 6 years, Twin.” Notes on nearby gravestones indicated that her twin brother and other relatives were buried close by.
In 1991, arson investigator Rick Davey (along with co-writer Don Massey) published A Matter of Degree: The Hartford Circus Fire and Mystery of Little Miss 1565, in which he claims the girl was Eleanor Emily Cook and from Massachusetts.
Davey also contends that there was a conspiracy within the judicial system to convict the Ringling defendants, and that Segee was the arsonist. Prior to writing the book, Davey spent six years researching the case and conducting his own experiments as to how the fire really may have started. He described the original investigation both "flawed and primitive", though he did not work on the original case.
Eleanor's brother Donald Cook had contacted authorities in 1955 insisting that the girl was his sister, but nothing came of it, and Donald later worked with Davey to establish her identity. Donald believes that family members were shown the wrong body in the confusion at the morgue.
Various assertions put forth in A Matter of Degree have been fiercely disputed by investigators who worked on the case, as well as by other writers, most notablyStewart O'Nan, who published The Circus Fire: A True Story of an American Tragedy in 2001. O'Nan points to the fact that Little Miss 1565 had blonde hair, while Eleanor Cook was a brunette. The shape of Little Miss 1565's face and that of Eleanor Cook are dissimilar, and the heights and ages of the two girls do not match up.
Perhaps most significantly, when shown a photograph of Little Miss 1565, Eleanor's mother Mildred Corintha Parsons Cook immediately stated that this was not her daughter. She firmly maintained that stance until her death in 1997, age 91. Badly injured in the fire, Mrs. Cook had been unable to claim her two dead children, and was too emotionally traumatized to pursue it later. She'd been told that Eleanor was not in any of the locations where bodies were kept for identification. She believed that Eleanor was one of two children who had been burnt beyond recognition and remain unidentified. O'Nan thinks she may be body number 1503. He further points to the differences in the dental records of Eleanor Cook and the records made of Little Miss 1565 after her death.
As O'Nan and others have pointed out, the most likely scenario is that a family claiming a body early on mistakenly identified Eleanor Cook as their own child and she is buried under that child's name. Even when "Little Miss 1565's" picture ran in the papers, they failed to recognize her as their own due to their desire to put the traumatic event behind them. While DNA analysis could end this debate definitively, the logistics of exhuming all the likely candidates for this mix-up rule this out.
With the questions over whether Eleanor Cook is the true identity of Little Miss 1565 still unanswered in the eyes of many, the body was exhumed after the release of A Matter of Degree and buried in Southampton, Massachusetts, next to the body of Edward Cook, the brother of Eleanor Cook and a victim of the circus fire himself. In 1992, her death certificate was officially changed from the previous identification of "1565".
Since then, the Cook family has raised questions about whether the body is indeed that of Eleanor Cook, and some investigators have come to believe Eleanor's body may have been another of the unclaimed bodies from the fire and not Little Miss 1565.
While the circus was banned from Hartford and other parts of Connecticut for years after the Hartford fire, it began to make a comeback in the 1970s
By WILLIAM GRIMES
Abraham Lincoln last visited New Haven in March 1860, when, as a likely presidential candidate, he gave a speech on slavery. He is now set for a triumphal return.
The Beinecke Rare Book & Manuscript Libraryat Yale University will announce Monday that it has purchased one of the largest private collections of 19th-century American photography, devoted primarily to Lincoln and the Civil War, from the Meserve-Kunhardt Foundation, run by the family that has collected and preserved the material for five generations.
The Meserve-Kunhardt Collection, with more than 73,000 items, includes 57,000 prints, as well as thousands of books, pamphlets, maps and theater broadsides. “It is of enormous value,” said James M. Cornelius, the curator of the Lincoln Collection at the Abraham Lincoln Presidential Library and Museum in Springfield, Ill. “Without question, it has the largest holdings of images of Lincoln and his circle that we know of.”
Among the highlights are a large-format albumen portrait of Lincoln in 1863 by Alexander Gardner, a vintage print of Mathew Brady’s “Cooper Union” portrait of Lincoln, a Gardner print of Lincoln’s second inaugural that shows John Wilkes Booth in the crowd, and a glass negative of Brady’s portrait of Lincoln with his son Tad. The collection also includes other Lincoln artifacts, such as the library from his Springfield home and Lincoln family scrapbooks.
“This is not an area we had focused on,” said George Miles, the senior curator at the Beinecke Library. “But because the collection is so comprehensive, it allows us to go from being weak to remarkably strong in one acquisition.”
Peter W. Kunhardt Sr., a board member with the family foundation, directed by his son Peter W. Kunhardt Jr., said: “We knew the foundation could do a good job of preserving and cataloging the collection, but not for the long haul. It needs to be housed in an institution under better conditions.”
Since 2009, the collection has been stored at the art museum and library at Purchase College, part of the State University of New York. Six weeks ago it was moved to the foundation’s new offices in Pleasantville, N.Y., which also house the photographic archive of Gordon Parks.
The opening of the Institute for the Preservation of Cultural Heritage, a research and conservation center on Yale’s West Campus, was a powerful incentive to place the collection with the university, as did plans to add a research center for photographic conservation, the Lens Media Laboratory. Because Yale has both a rare books library and an art museum, the material will be divided accordingly this fall.
Yale purchased the collection with support from the Rice Family Foundation, which brought the two parties together. “We’ve committed a very significant part of our acquisition budget to this,” said Mr. Miles, who declined to give the purchase price or the size of the acquisition budget. The Kunhardt family also declined to discuss the price paid for the collection.
It comes with a family story that begins on the battlefields of the Civil War. William Neal Meserve, a Union soldier, was wounded twice at Antietam and served in the Wilderness Campaign under Ulysses S. Grant, rising to the rank of major. Along the way, he kept a diary in a series of small notebooks.
“After the war, he suffered from what we would call post-traumatic stress,” Mr. Kunhardt Sr. said. “He was on track to become a dentist, but he lost it. He became a traveling preacher and deserted his family.”
In the late 1890s, Frederick Hill Meserve, William’s son, tried to re-establish a relationship. Writing to his father in California, he proposed a joint project. If his father would transcribe the diaries and Frederick would find the photographs to illustrate the text, which ended up filling two large volumes.
In 1897, at Bangs auction house on Lower Fifth Avenue, Frederick paid $1.10, sight unseen, for a package of 100 salt prints made in the late 1850s and early 1860s. It contained portraits of eminent figures like Ralph Waldo Emerson and Robert E. Lee, all in pristine condition. “That night I had my first experience of the sensation of intoxication, the only kind I have ever experienced, that comes with the possession of a rare find,” he later recalled.
The fever was stoked when he visited a warehouse in Jersey City that contained thousands of discarded glass negatives from Brady’s studio, most of them used to make the small, inexpensive portraits known as cartes de visite. The trove included seven life negatives of Lincoln.
He bought them all, more than 10,000 plates. Nearly 5,500 of them went to the National Portrait Gallery in Washington in 1981, including the famous “cracked plate” portrait of Lincoln, a one-off outtake by Gardner, one of Brady’s operatives. Taken on Feb. 5, 1865, the portrait has a horizontal line running across the top third of the photo, reproducing a crack in the photographic plate.
The Lincoln material seized Frederick’s imagination. He set the goal of acquiring and cataloging every Lincoln photograph in existence. In 1911, he published “Photographs of Abraham Lincoln,” a landmark work with 100 portraits. “It was the lodestar for understanding Lincoln’s visual presence,” said Mr. Cornelius, the Springfield curator.
Frederick’s Lincoln collection had already provided the image on the 1909 Lincoln penny and its photographs would later be used for the engraving on the $5 bill, the statue in the Lincoln Memorial and the giant Lincoln on Mount Rushmore.
To place Lincoln in context, Frederick began gathering photographs that would illustrate the era. In time, he amassed about 8,000 portraits in 28 volumes, starting with Lincoln’s cabinet and his political contemporaries, and expanding to include the entire officer corps of the Union Army (and all but three of the Confederacy’s), along with actors, writers and notables from all walks of life. He called it “an American national portrait gallery.” The family calls it “the opus.”
“He saved from utter destruction and loss thousands of glass-plate negatives and prints from Brady and other photographers of the era,” Mr. Cornelius said. “This, at a time when collecting Americana was a low-grade activity.”
Virtually anything that pertained to America in the 1860s made its way into the collection, including handwritten daily meteorological observations for Washington, compiled for the Smithsonian Institution. One day is missing: On April 15, 1865, the day Lincoln died, part of the entry reads: “This horrible transaction made such an impression on me that I neglected to record the temperature at 2 and 10 p.m.”
On the flip side of a carte de visite with the portrait of Booth, an unknown hand inscribed the following order: “Do recognize him somewhere and kill him.” The origin of the card is unclear, although William Meserve, in charge of a fort near Washington, took part in the manhunt for Booth and his accomplices the night of the murder.
Dorothy Meserve Kunhardt, Frederick’s daughter, worked closely with her father for years and made some key discoveries along the way. She found 600 volumes from Lincoln’s personal library in a used bookstore in Springfield and through a caretaker of Lincoln’s Springfield home she obtained his family scrapbooks. Dorothy was also a highly successful author of children’s books, including “Pat the Bunny.”
Succeeding generations have used the collection as the basis for nearly a dozen books and several documentaries, produced by Mr. Kunhardt’s company, Kunhardt Films. “The Photographs of Abraham Lincoln” has just been published by Steidl. “Living With Lincoln,” an hourlong documentary about the Kunhardt family and the collection, will be broadcast April 13 on HBO.
Jeff Rosenheim, the curator in charge of the department of photographs at the Metropolitan Museum of Art, used the collection extensively for his 2013 exhibition “Photography and the American Civil War.” “There are archives that change what you think you know,” he said. “This is one of them.”
Posted on March 26, 2015 | By Michael P. Mayko
STAMFORD-A New York City bookmaker’s involvement in a mob-controlled gambling operation here now faces a year in prison and a loss of $160,988.
Salvatore Ferraioli, 33, of Staten Island, N.Y. pleaded guilty to failing to file a wagering tax return in 2011 during proceedings Wednesday before U.S. District Judge Vanessa L. Bryant in the Hartford federal courthouse.
Bryant set sentencing for June 17. At that time, Ferraioli faces not only a year in prison but an order to pay back taxes, penalties and interest.
Court documents disclose that Ferraioli was part of a multi-million dollar gambling operation headed by Dean DePreta of Stamford and Richard Uva formerly of Trumbull.
DePreta has been described as the “titular head” of the Gambino crime family’s operation in southwestern Connecticut. He was sentenced to 71 months in prison for his role in the operation. Uva, DePreta’s long time friend who federal prosecutors described as “the chief operating officer” for the Gambino betting ring was sentenced to 46 months in prison for his role.
The gambling operation involved an internet website in Costa Rica and gambling houses in Stamford and Hamden.
The case was prosecuted by Assistant U.S. Attorneys Hal Chen and Peter Jongbloed. The FBI and IRS Criminal Division along with the Bridgeport, Stamford and State police.
by Jordan Fenster
A public hearing was held Wednesday on a bill that would prohibit the sale in Connecticut of products made out of ivory and rhinoceros horn.
A federal ban on elephant ivory enacted in 2014, puts some limitations on the commercial sale and non-commercial possession of ivory products, but Connecticut’s bill, Raised Bill No. 6955, would go significantly further.
As written the measure specifies that “No person shall import, sell, offer for sale, purchase, barter or possess with the intent to sell, any ivory, ivory product, rhinoceros horn or rhinoceros horn product.”
The bill defines ivory as “any tooth or tusk, or any part thereof, that is composed of ivory from any animal, including, but not limited to, any elephant, hippopotamus, mammoth, narwhal, walrus or whale or any piece thereof.”
Animal-rights activists spoke vociferously in favor of the measure, and though antique dealers and museum operators testifying before the legislator’s Environment Committee were sympathetic to the plight of elephants and rhinos, they urged lawmakers to alter the proposal.
Charles Mathes, president of Visibles Inc., a publisher and licenser of fine art, said the measure would “literally take money out the pockets of collectors.”
“Of course everyone wishes to save the elephants, but making it impossible to buy or sell ivory that was made into artifacts a hundred years ago benefits no one — including elephants,” he said.
Susan Talbott, director and CEO of Hartford’s Wadsworth Atheneum Museum of Art, suggested the bill be tweaked to allow museums to acquire antique ivory artwork, and to redefine the term antique, as it relates to ivory-based products, to objects created prior to 1976.
Should the bill pass as it is written, “The Wadsworth Atheneum would not be able to acquire important artworks made with or from ivory, nor would the institution be permitted to participate in international exhibitions and loans with foreign lenders,” Talbott told committee members.
Connecticut has a long and complicated history with ivory, as Jody Blankenship, executive director of the Connecticut Historical Society told committee members Wednesday.
“In the 1700s lasting through World War II, the village of Ivoryton and other areas in the lower Connecticut River Valley held a monopoly on the importation and manufacture of ivory products in the United States,” she said. “This industry led to the exploitation of the African Bush Elephant and enslavement of thousands of humans. Our history reveals the negative outcomes of the ivory trade and how consumer demand for ‘exotic’ materials can lead to the endangerment of a species.”
Amy Gagnon, a historian from New Britain, told committee members that local towns with a history in the ivory trade have attempted to make “reparations” for acts she called “inhumane and illegal.”
“A little over a century ago, 90 percent of the nation’s ivory came into the country via Deep River and Essex. In these quaint Connecticut towns at the mouth of the river, thousands upon thousands of tusks made their way to our shores and people made fortunes from this ivory,” she wrote. “Today, we witness the consequences of this on a regular basis as town leaders, residents, and descendants of the families who facilitated the ivory business in Deep River and Essex strive to make reparations to this dark history through education, programs, and awareness.”
Allen Sandico, CEO of the Seattle-based Tusk Task Force, said in written testimony that the black market in ivory has helped fund terrorist groups such as al-Shabaab and Boko Haram.
“Connecticut has the tremendous opportunity to mitigate the funding of terrorism by banning all commerce related to ivory and rhino horn,” he said.
Both New York and New Jersey already have bans on ivory products in place. Several other states, including Oregon and California, are considering a similar ban.
Angelo Santaniello (90) retired Connecticut Supreme Court justice who wrote more than 100 majority opinions during his nine years on the high court. Santaniello became a state judge in 1966 and served on the Supreme Court from '85–94. He was especially noted for his work settling cases at the appellate level. He died in New London, Connecticut on March 1, 2015.